Rev 12:1, 3, 13:13 | Barnes | STEP | CHAPTER XII ANALYSIS OF CHAPTER THIS portion of the book commences, according to the view presented in the closing remarks on the last chapter, a new series of visions, designed more particularly to represent the internal condition of the church; the rise of Antichrist, and the effect of the rise of that formidable power on the internal history of the church to the time of the overthrow of that power, and the triumphant establishment of the kingdom of God. See the Analysis of the Book, part fifth. The portion before us embraces the following particulars:-- (1.) A new vision of the temple of God as opened in heaven, disclosing the ark of the testimony, and attended with lightnings, and voices, and thunderings, and an earthquake, and great hail, . The view of the "temple," and the "ark," would naturally suggest a reference to the church, and would be an appropriate representation on the supposition that this vision related to the church. The attending circumstances of the lightnings, etc., were well fitted to impress the mind with awe, and to leave the conviction that great and momentous events were about to be disclosed. I regard this verse, therefore, which should have been separated from the eleventh chapter and attached to the twelfth, as the introduction to a new series of visions, similar to what we have in the introduction of the previous series, . The vision was of the temple--the symbol of the church--and it was "opened" so that John could see into its inmost part--even within the veil where the ark was--and could have a view of what most intimately pertained to it. (2.) A representation of the church, under the image of a woman about to give birth to a child, . A woman is seen, clothed, as it were, with the sun--emblem of majesty, truth, intelligence, and glory; she has the moon under her feet, as if she walked the heavens; she has on her head a glittering diadem of stars; she is about to become a mother. This seems to have been designed to represent the church as about to be increased, and as in that condition watched by a dragon--a mighty foe--ready to destroy its offspring, and thus compelled to flee into the wilderness for safety. Thus understood, the point of time referred to would be when the church was in a prosperous condition, and when it would be encountered by Antichrist, represented here by the dragon, and compelled to flee into the wilderness; that is, the church for a time would be driven into obscurity, and be almost unknown. It is no uncommon thing, in the Scriptures, to compare the church with a beautiful woman. . The following remarks of Prof. Stuart, (vol. ii. 252,) though he applies the subject in a manner very different from what I shall, seem to me accurately to express the general design of the symbol: "The daughter of Zion is a common personification of the church in the Old Testament; and in the writings of Paul, the same image is exhibited by the phrase, Jerusalem which is the mother of us all; i. e. of all Christians, . The main point before us is the illustration of that church, ancient or later, under the image of a woman. If the Canticles are to have a spiritual sense given to them, it is plain enough, of course, how familiar such an idea was to the Jews. Whether the woman thus exhibited as a symbol be represented as bride or mother depends of course on the nature of the case, and the relations and exigencies of any particular passage." (3.) The dragon that stood ready to devour the child, . This represents some formidable enemy of the church, that was ready to persecute and destroy it. The real enemy here referred to is, undoubtedly, Satan, the great enemy of God and the church, but here it is Satan in the form of some fearful opponent of the church that would arise at a period when the church was prosperous, and when it was about to be enlarged. We are to look, therefore, for some fearful manifestation of this formidable power, having the characteristics here referred to, or some opposition to the church such as we may suppose Satan would originate, and by which the existence of the church might seem to be endangered. (4.) The fact that the child which the woman brought forth was caught up to heaven--symbolical of its real safety, and of its having the favour of God--a pledge that the ultimate prosperity of the church was certain, and that it was safe from real danger, . (5.) The fleeing of the woman into the wilderness, for the space of a thousand two hundred and threescore days, or 1260 years, . This act denotes the persecuted and obscure condition of the church during that time, and the period which would elapse before it would be delivered from this persecution, and restored to the place in the earth which it was designed to have. (6.) The war in heaven; a struggle between the mighty powers of heaven and the dragon, . Michael and his angels contend against the dragon, in behalf of the church, and finally prevail. The dragon is overcome, and is cast out, and all his angels with him; in other words, the great enemy of God and his church is overcome and subdued. This is evidently designed to be symbolical, and the meaning is, that a state of things would exist in regard to the church, which would be well represented by supposing that such a scene should occur in heaven; that is, as if a war should exist there between the great enemy of God and the angels of light, and as if, being there vanquished, Satan should be cast down to the earth, and should there exert his malignant power in a warfare against the church. The general idea is, that his warfare would be primarily against heaven, as if he fought with the angels in the very presence of God, but that the form in which he would seem to prevail would be against the church, as if, being unsuccessful in his direct warfare against the angels of God, he was permitted, for a time, to enjoy the appearance of triumph in contending with the church. (7.) The shout of victory in view of the conquest over the dragon, . A loud voice is heard in heaven, saying that now the kingdom of God is come, and that the reign of God would be set up, for the dragon is cast down and overcome. The grand instrumentality in overcoming this foe was "the blood of the Lamb, and the word of their testimony;" that is, the great doctrines of truth pertaining to the work of the Redeemer would be employed for this purpose, and it is proclaimed that the heavens and all that dwell therein had occasion to rejoice at the certainty that a victory would be ultimately obtained over this great enemy of God. Still, however, his influence was not wholly at an end, for he would yet rage for a brief period on the earth. (8.) The persecution of the woman, . She is constrained to fly, as on wings given her for that purpose, into the wilderness, where she is nourished for the time that the dragon is to exert his power--a "time, times, and half a time"--or for 1260 years. The dragon in rage pours out a flood of water, that he may cause her to be swept away by the flood: referring to the persecutions that would exist while the church was in the wilderness, and the efforts that would be made to destroy it entirely. (9.) The earth helps the woman, . That is, a state of things would exist as if, in such a case, the earth should open and swallow up the flood. The meaning is, that the church would not be swept away, but that there would be an interposition in its behalf, as if the earth should, in the case supposed, open its bosom, and swallow up the swelling waters. (10.) The dragon, still enraged, makes war with all that pertains to the woman, . Here we are told literally who are referred to by the "seed" of the woman. They are those who "keep the commandments of God, and have the testimony of Jesus Christ," ( ;) that is, the true church. The chapter, therefore, may be regarded as a general vision of the persecutions that would rage against the church. It seemed to be about to increase and to spread over the world. Satan, always opposed to it, strives to prevent its extension. The conflict is represented as if in heaven, where war is waged between the celestial beings and Satan, and where, being overcome, Satan is cast down to the earth, and permitted to wage the war there. The church is persecuted; becomes obscure and almost unknown, but still is mysteriously sustained; and when most in danger of being wholly swallowed up, is kept as if a miracle were wrought in its defence. The detail--the particular form in which the war would be waged--is drawn out in the following chapters. . And the temple of God was opened in heaven. The temple of God at Jerusalem was a pattern of the heavenly one, or of heaven, . In that temple God was supposed to reside by the visible symbol of his presence--the Shekinah--in the holy of holies. . Thus God dwells in heaven, as in a holy temple, of which that on earth was the emblem. When it is said that that was "opened in heaven," the meaning is, that John was permitted, as it were, to look into heaven, the abode of God, and to see him in his glory. And there was seen in his temple the ark of his testament. . That is, the very interior of heaven was laid open, and John was permitted to witness what was transacted in its obscurest recesses, and what were its most hidden mysteries. It will be remembered, as an illustration of the correctness of this view of the meaning of the verse, and of its proper place in the divisions of the book--assigning it as the opening verse of a new series of visions--that in the first series of visions we have a statement remarkably similar to this, : "After this I looked, and, behold, a door was opened in heaven ;" that is, there was, as it were, an opening made into heaven, so that John was permitted to look in and see what was occurring there. The same idea is expressed substantially here, by saying that the very interior of the sacred temple where God resides was "opened in heaven," so that John was permitted to look in and see what was transacted in his very presence. This, too, may go to confirm the idea suggested in the Analysis of the Book, part fifth, that this portion of the Apocalypse refers rather to the internal affairs of the church, or the church itself--for of this the temple was the proper emblem. Then appropriately follows the series of visions describing, as in the former case, what was to occur in future times: this series referring to the internal affairs of the church, as the former did mainly to what would outwardly affect its form and condition. And there were lightnings , etc. Symbolic of the awful presence of God, and of his majesty and glory, as in the commencement of the first series-of visions. . The similarity of the symbols of the Divine Majesty in the two cases may also serve to confirm the supposition that this is the beginning of a new series of visions. And an earthquake . Also a symbol of the Divine Majesty, and perhaps of the great convulsions that were to occur under this series of visions. . Thus, in the sublime description of God in , "Then the earth shook and trembled; the foundations also of the hills moved and were shaken, because he was wroth." So in , "And mount Sinai was altogether on a smoke--and the whole mount quaked greatly." Comp. . And great hail . Also an emblem of the presence and majesty of God, perhaps with the accompanying idea that he would overwhelm and punish his enemies. So in , "The Lord also thundered in the heavens, and the Highest gave his voice: hailstones and coals of fire." So also :-- "Hast thou entered into the treasures of snow? Or hast thou seen the treasures of the hail? Which I have reserved against the time of trouble . Against the day of battle and war?" So in : "He gave them hail for rain. And flaming fire in their land." Comp. . Verse 1. And there appeared a great wonder in heaven . In that heavenly world thus disclosed, in the very presence of God, he saw the impressive and remarkable symbol which he proceeds to describe. The word wonder --σημειον--properly means something extraordinary, or miraculous, and is commonly rendered sign . See ;--in all which, and in numerous other places in the New Testament, it is rendered sign , and mostly in the sense of miracle . When used in the sense of a miracle, it refers to the fact that the miracle is a sign or token by which the Divine power or purpose is made known. Sometimes the word is used to denote a sign of future things --a portent or presage of coming events; that is, some remarkable appearances which foreshadow the future. Thus in : " signs of the times ;" that is, the miraculous events which foreshadow the coming of the Messiah in his kingdom. So also in . This seems to be the meaning here, that the woman who appeared in this remarkable manner was a portent or token of what was to occur. A woman clothed with the sun . Bright, splendid, glorious, as if the sunbeams were her raiment. Compare ; see also --a passage which, very possibly, was in the mind of the writer when he penned this description: "Who is she that looked forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?" And the moon under her feet . The moon seemed to be under her feet. She seemed as if she stood on the moon, its pale light contrasted with the burning splendour of the sun, heightening the beauty of the whole picture. The woman, beyond all question, represents the church. . Is the splendour of the sun-light designed to denote the brightness of the gospel? Is the moon designed to represent the comparatively feeble light of the Jewish dispensation? Is the fact that she stood upon the moon, or that it was under her feet, designed to denote the superiority of the gospel to the Jewish dispensation? Such a supposition gives much beauty to the symbol, and is not foreign to the nature of symbolic language. And upon her head a crown of twelve stars . A diadem in which there were placed twelve stars. That is, there were twelve sparkling gems in the crown which she wore. This would, of course, greatly increase the beauty of the vision; and there can be no doubt that the number twelve here is significant. If the woman here is designed to symbolize the church, then the number twelve has, in all probability, some allusion either to the twelve tribes of Israel--as being a number which one who was born and educated as a Jew would be likely to use, (compare ) or, to the twelve apostles--an allusion which it may be supposed an apostle would be more likely to make. Compare . (1) "great wonder" "sign" (d) "clothed" (e) "sun"

Revelation of John 12:1

CHAPTER XII ANALYSIS OF CHAPTER

THIS portion of the book commences, according to the view presented in the closing remarks on the last chapter, a new series of visions, designed more particularly to represent the internal condition of the church; the rise of Antichrist, and the effect of the rise of that formidable power on the internal history of the church to the time of the overthrow of that power, and the triumphant establishment of the kingdom of God. See the Analysis of the Book, part fifth. The portion before us embraces the following particulars:--

(1.) A new vision of the temple of God as opened in heaven, disclosing the ark of the testimony, and attended with lightnings, and voices, and thunderings, and an earthquake, and great hail, Rev 11:19. The view of the "temple," and the "ark," would naturally suggest a reference to the church, and would be an appropriate representation on the supposition that this vision related to the church. The attending circumstances of the lightnings, etc., were well fitted to impress the mind with awe, and to leave the conviction that great and momentous events were about to be disclosed. I regard this verse, therefore, which should have been separated from the eleventh chapter and attached to the twelfth, as the introduction to a new series of visions, similar to what we have in the introduction of the previous series, Rev 4:1. The vision was of the temple--the symbol of the church--and it was "opened" so that John could see into its inmost part--even within the veil where the ark was--and could have a view of what most intimately pertained to it.

(2.) A representation of the church, under the image of a woman about to give birth to a child, Rev 12:1,2. A woman is seen, clothed, as it were, with the sun--emblem of majesty, truth, intelligence, and glory; she has the moon under her feet, as if she walked the heavens; she has on her head a glittering diadem of stars; she is about to become a mother. This seems to have been designed to represent the church as about to be increased, and as in that condition watched by a dragon--a mighty foe--ready to destroy its offspring, and thus compelled to flee into the wilderness for safety. Thus understood, the point of time referred to would be when the church was in a prosperous condition, and when it would be encountered by Antichrist, represented here by the dragon, and compelled to flee into the wilderness; that is, the church for a time would be driven into obscurity, and be almost unknown. It is no uncommon thing, in the Scriptures, to compare the church with a beautiful woman. Isa 1:8. The following remarks of Prof. Stuart, (vol. ii. 252,) though he applies the subject in a manner very different from what I shall, seem to me accurately to express the general design of the symbol: "The daughter of Zion is a common personification of the church in the Old Testament; and in the writings of Paul, the same image is exhibited by the phrase, Jerusalem which is the mother of us all; i. e. of all Christians, Gal 4:26. The main point before us is the illustration of that church, ancient or later, under the image of a woman. If the Canticles are to have a spiritual sense given to them, it is plain enough, of course, how familiar such an idea was to the Jews. Whether the woman thus exhibited as a symbol be represented as bride or mother depends of course on the nature of the case, and the relations and exigencies of any particular passage."

(3.) The dragon that stood ready to devour the child, Rev 12:3,4. This represents some formidable enemy of the church, that was ready to persecute and destroy it. The real enemy here referred to is, undoubtedly, Satan, the great enemy of God and the church, but here it is Satan in the form of some fearful opponent of the church that would arise at a period when the church was prosperous, and when it was about to be enlarged. We are to look, therefore, for some fearful manifestation of this formidable power, having the characteristics here referred to, or some opposition to the church such as we may suppose Satan would originate, and by which the existence of the church might seem to be endangered.

(4.) The fact that the child which the woman brought forth was caught up to heaven--symbolical of its real safety, and of its having the favour of God--a pledge that the ultimate prosperity of the church was certain, and that it was safe from real danger, Rev 12:5.

(5.) The fleeing of the woman into the wilderness, for the space of a thousand two hundred and threescore days, or 1260 years, Rev 12:6. This act denotes the persecuted and obscure condition of the church during that time, and the period which would elapse before it would be delivered from this persecution, and restored to the place in the earth which it was designed to have.

(6.) The war in heaven; a struggle between the mighty powers of heaven and the dragon, Rev 12:7-9. Michael and his angels contend against the dragon, in behalf of the church, and finally prevail. The dragon is overcome, and is cast out, and all his angels with him; in other words, the great enemy of God and his church is overcome and subdued. This is evidently designed to be symbolical, and the meaning is, that a state of things would exist in regard to the church, which would be well represented by supposing that such a scene should occur in heaven; that is, as if a war should exist there between the great enemy of God and the angels of light, and as if, being there vanquished, Satan should be cast down to the earth, and should there exert his malignant power in a warfare against the church. The general idea is, that his warfare would be primarily against heaven, as if he fought with the angels in the very presence of God, but that the form in which he would seem to prevail would be against the church, as if, being unsuccessful in his direct warfare against the angels of God, he was permitted, for a time, to enjoy the appearance of triumph in contending with the church.

(7.) The shout of victory in view of the conquest over the dragon, Rev 12:10-12. A loud voice is heard in heaven, saying that now the kingdom of God is come, and that the reign of God would be set up, for the dragon is cast down and overcome. The grand instrumentality in overcoming this foe was "the blood of the Lamb, and the word of their testimony;" that is, the great doctrines of truth pertaining to the work of the Redeemer would be employed for this purpose, and it is proclaimed that the heavens and all that dwell therein had occasion to rejoice at the certainty that a victory would be ultimately obtained over this great enemy of God. Still, however, his influence was not wholly at an end, for he would yet rage for a brief period on the earth.

(8.) The persecution of the woman, Rev 12:13-15. She is constrained to fly, as on wings given her for that purpose, into the wilderness, where she is nourished for the time that the dragon is to exert his power--a "time, times, and half a time"--or for 1260 years. The dragon in rage pours out a flood of water, that he may cause her to be swept away by the flood: referring to the persecutions that would exist while the church was in the wilderness, and the efforts that would be made to destroy it entirely.

(9.) The earth helps the woman, Rev 12:16. That is, a state of things would exist as if, in such a case, the earth should open and swallow up the flood. The meaning is, that the church would not be swept away, but that there would be an interposition in its behalf, as if the earth should, in the case supposed, open its bosom, and swallow up the swelling waters.

(10.) The dragon, still enraged, makes war with all that pertains to the woman, Rev 12:17. Here we are told literally who are referred to by the "seed" of the woman. They are those who "keep the commandments of God, and have the testimony of Jesus Christ," (Rev 12:11;) that is, the true church. The chapter, therefore, may be regarded as a general vision of the persecutions that would rage against the church. It seemed to be about to increase and to spread over the world. Satan, always opposed to it, strives to prevent its extension. The conflict is represented as if in heaven, where war is waged between the celestial beings and Satan, and where, being overcome, Satan is cast down to the earth, and permitted to wage the war there. The church is persecuted; becomes obscure and almost unknown, but still is mysteriously sustained; and when most in danger of being wholly swallowed up, is kept as if a miracle were wrought in its defence. The detail--the particular form in which the war would be waged--is drawn out in the following chapters.

Rev 11:19. And the temple of God was opened in heaven. The temple of God at Jerusalem was a pattern of the heavenly one, or of heaven, Heb 8:1-6. In that temple God was supposed to reside by the visible symbol of his presence--the Shekinah--in the holy of holies. Heb 9:7. Thus God dwells in heaven, as in a holy temple, of which that on earth was the emblem. When it is said that that was "opened in heaven," the meaning is, that John was permitted, as it were, to look into heaven, the abode of God, and to see him in his glory.

And there was seen in his temple the ark of his testament. Heb 9:4. That is, the very interior of heaven was laid open, and John was permitted to witness what was transacted in its obscurest recesses, and what were its most hidden mysteries. It will be remembered, as an illustration of the correctness of this view of the meaning of the verse, and of its proper place in the divisions of the book--assigning it as the opening verse of a new series of visions--that in the first series of visions we have a statement remarkably similar to this, Rev 4:1: "After this I looked, and, behold, a door was opened in heaven ;" that is, there was, as it were, an opening made into heaven, so that John was permitted to look in and see what was occurring there. The same idea is expressed substantially here, by saying that the very interior of the sacred temple where God resides was "opened in heaven," so that John was permitted to look in and see what was transacted in his very presence. This, too, may go to confirm the idea suggested in the Analysis of the Book, part fifth, that this portion of the Apocalypse refers rather to the internal affairs of the church, or the church itself--for of this the temple was the proper emblem. Then appropriately follows the series of visions describing, as in the former case, what was to occur in future times: this series referring to the internal affairs of the church, as the former did mainly to what would outwardly affect its form and condition.

And there were lightnings, etc. Symbolic of the awful presence of God, and of his majesty and glory, as in the commencement of the first series-of visions. Rev 4:6. The similarity of the symbols of the Divine Majesty in the two cases may also serve to confirm the supposition that this is the beginning of a new series of visions.

And an earthquake. Also a symbol of the Divine Majesty, and perhaps of the great convulsions that were to occur under this series of visions. Rev 6:12. Thus, in the sublime description of God in Ps 18:7, "Then the earth shook and trembled; the foundations also of the hills moved and were shaken, because he was wroth." So in Ex 19:18, "And mount Sinai was altogether on a smoke--and the whole mount quaked greatly." Comp. Amos 8:8,9, Joel 2:10.

And great hail. Also an emblem of the presence and majesty of God, perhaps with the accompanying idea that he would overwhelm and punish his enemies. So in Ps 18:13, "The Lord also thundered in the heavens, and the Highest gave his voice: hailstones and coals of fire." So also Job 38:22,23:--

"Hast thou entered into the treasures of snow?

Or hast thou seen the treasures of the hail?

Which I have reserved against the time of trouble.

Against the day of battle and war?"

So in Ps 105:32:

"He gave them hail for rain.

And flaming fire in their land."

Comp. Ps 78:48, Isa 30:30, Eze 38:22.

Verse 1. And there appeared a great wonder in heaven. In that heavenly world thus disclosed, in the very presence of God, he saw the impressive and remarkable symbol which he proceeds to describe. The word wonder--σημειον--properly means something extraordinary, or miraculous, and is commonly rendered sign. See Mt 12:38-39 Mt 16:1,3-4, 24:3,24,30, 26:48, Mk 8:11-12, 13:4,22, 16:17,20;--in all which, and in numerous other places in the New Testament, it is rendered sign, and mostly in the sense of miracle. When used in the sense of a miracle, it refers to the fact that the miracle is a sign or token by which the Divine power or purpose is made known. Sometimes the word is used to denote a sign of future things--a portent or presage of coming events; that is, some remarkable appearances which foreshadow the future. Thus in Mt 16:3: "signs of the times;" that is, the miraculous events which foreshadow the coming of the Messiah in his kingdom. So also in Mt 24:3,30, Mk 13:4, Lk 21:7,11. This seems to be the meaning here, that the woman who appeared in this remarkable manner was a portent or token of what was to occur.

A woman clothed with the sun. Bright, splendid, glorious, as if the sunbeams were her raiment. Compare Rev 1:16, 10:1; see also Song 6:10--a passage which, very possibly, was in the mind of the writer when he penned this description: "Who is she that looked forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?"

And the moon under her feet. The moon seemed to be under her feet. She seemed as if she stood on the moon, its pale light contrasted with the burning splendour of the sun, heightening the beauty of the whole picture. The woman, beyond all question, represents the church. Rev 12:2. Is the splendour of the sun-light designed to denote the brightness of the gospel? Is the moon designed to represent the comparatively feeble light of the Jewish dispensation? Is the fact that she stood upon the moon, or that it was under her feet, designed to denote the superiority of the gospel to the Jewish dispensation? Such a supposition gives much beauty to the symbol, and is not foreign to the nature of symbolic language.

And upon her head a crown of twelve stars. A diadem in which there were placed twelve stars. That is, there were twelve sparkling gems in the crown which she wore. This would, of course, greatly increase the beauty of the vision; and there can be no doubt that the number twelve here is significant. If the woman here is designed to symbolize the church, then the number twelve has, in all probability, some allusion either to the twelve tribes of Israel--as being a number which one who was born and educated as a Jew would be likely to use, (compare Jas 1:1) or, to the twelve apostles--an allusion which it may be supposed an apostle would be more likely to make. Compare Mt 19:28, Rev 21:14.

(1) "great wonder" "sign" (d) "clothed" Isa 54:6 (e) "sun" Ps 84:11, Mal 4:2

Revelation of John 12:3

Verse 3. And there appeared another wonder in heaven . Represented as in heaven. Barnes on "Re 12:1" . That is, he saw this as occurring at the time when the church was thus about to increase. And behold a great red dragon . The word rendered dragon --δρακων-- occurs, in the New Testament, only in the book of Revelation, where it is uniformly rendered as here-- dragon : Rev 12:3-4,7,9,13,16-17, 13:2,4,11, Rev 16:13, 20:2 . In all these places there is reference to the same thing. The word properly means a large serpent; and the allusion in the word commonly is to some serpent, perhaps such as the anaconda, that resides in a desert or wilderness. See a full account of the ideas that prevailed in ancient times respecting the dragon, in Bochart, Hieroz . lib. iii. cap. xiv., vol. ii. pp. 428-440. There was much that was fabulous respecting this monster, and many notions were attached to the dragon which did not exist in reality, and which were ascribed to it by the imagination at a time when natural history was little understood. The characteristics ascribed to the dragon, according to Bochart, are, that it was distinguished (a) for its vast size; (b) that it had something like a beard or dew-lap; (c) that it had three rows of teeth; (d) that its colour was black, red, yellow, or ashy; (e) that it had a wide mouth; (f) that in its breathing it not only drew in the air, but also birds that were flying over it; and (g) that its hiss was terrible. Occasionally, also, feet and wings were attributed to the dragon, and sometimes a lofty crest. The dragon, according to Bochart, was supposed to inhabit waste places and solitudes, (compare Barnes on "Isa 13:22" ) and it became, therefore, an object of great terror. It is probable that the original of this was a huge serpent, and that all the other circumstances were added by the imagination. The prevailing ideas in regard to it, however, should be borne in mind, in order to see the force and propriety of the use of the word by John. Two special characteristics are stated by John in the general description of the dragon: one is, its red colour ; the other, that it was great . In regard to the former, as above mentioned, the dragon was supposed to be black, red, yellow, or ashy. See the authorities referred to in Bochart, ut sup ., pp. 435, 436. There was doubtless a reason why the one seen by John should be represented as red . As to the other characteristic-- great --the idea is, that it was a huge monster, and this would properly refer to some mighty, terrible power which would be properly symbolized by such a monster. Having seven heads . It was not unusual to attribute many heads to monsters, especially to fabulous monsters, and these greatly increased the terror of the animal. "Thus Cerberus usually has three heads assigned to him; but Hesiod (Theog. 312) assigns him fifty, and Horace (Ode II. 13, 34) one hundred. So the Hydra of the Lake Lerna, killed by Hercules, had fifty heads, (Virg. AEn. vi 576;) and in Kiddushim, fol. 29, 2, Rabbi Achse is said to have seen a demon like a dragon with seven heads."--Professor Stuart, in loc , The seven heads would somehow denote power , or seats of power. Such a number of heads increase the terribleness, and, as it were, the vitality of the monster. What is here represented would be as terrible and formidable as such a monster; or such a monster would appropriately represent what was designed to be symbolized here. The number seven may be used here "as a perfect number," or merely to heighten the terror of the image; but it is more natural to suppose that there would be something in what is here represented which would lay the foundation for the use of this number. There would be something either in the origin of the power; or in the union of various powers now combined in the one represented by the dragon; or in the seat of the power, which this would properly symbolize, Compare Barnes on "Da 7:6" . And ten horns . Emblems of power, denoting that, in some respects, there were ten powers combined in this one. Dan 7:7 ; Dan 7:8 Dan 7:20 , Dan 7:24 . There can be little doubt that John had those passages of Daniel ( Dan 7:7-8,20,24 ) in his eye, and perhaps as little that the reference is to the same thing. The meaning is, that, in some respects, there would be a tenfold origin or division of the power represented by the dragon. And seven crowns upon his heads . Gr., diadems . Rev 9:7 . There is a reference here to some kingly power, and doubtless John had some kingdom or sovereignty in his eye that would be properly symbolized in this manner. The method in which these heads and horns were arranged on the dragon is not stated, and is not material. All that is necessary in the explanation is, that there was something in the power referred to that would be properly represented by the seven heads, and something by the ten horns. In the application of this, it will be necessary to inquire what was properly symbolized by these representations, and to refer again to these particulars with this view. (a) The dragon . This is explained in Barnes on "Re 12:9" : "And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world." So again, Rev 20:2 , "And he laid hold on the dragon, that old serpent, which is the Devil." Compare Bochart, Hieroz . ii. pp. 439, 440. There can be no doubt, therefore, that the reference here is to Satan, considered as the enemy of God, and the enemy of the peace of man, and especially as giving origin and form to some mighty power that would threaten the existence of the church. (b) Great . This will well describe the power of Satan as originating the organizations that were engaged for so long a time in persecuting the church, and endeavouring to destroy it. It was a work of vast power, controlling kings and princes and nations for ages, and could have been accomplished only by one to whom the appellation here used could be given. (c) Red . This, too, is an appellation properly applied here to the the dragon, or Satan, considered as the enemy of the church, and as originating this persecuting power, either (1) because it well represents the bloody persecutions that would ensue, or (2) because this would be the favourite colour by which this power would be manifest. Compare Rev 17:3-4, 18:12,16 . (d) The seven heads . There was, doubtless, as above remarked, something significant in these heads, as referring to the power designed to be represented. On the supposition that this refers to Rome, or to the power of Satan as manifested by Roman persecution, there can be no difficulty in the application; and, indeed, it is such an image as the writer would naturally use on the supposition that it had such a designed reference. Rome was built, as is well known, on seven hills, (compare Barnes on "Re 10:3" ,) and was called the seven-hilled city, ( Septicolis ,) from having been originally built on seven hills, though subsequently three hills were added, making the whole number ten. See Eschenburg, Manual of Classical Literature , p. 1, % 53. Thus Ovid: "Sed quae de septem totum circumspicit orbem Montibus, imperii RomAE Deumque locus." Horace: "Dis quibus septem placuere colles." Propertius: "Septem urbs alta jugis, toti quae praesidet orbi." Tertullian: "I appeal to the citizens of Rome, the populace that dwell on the seven hills."--Apol. 35. And again, Jerome to Marcella, when urging her to quit Rome for Bethlehem: "Read what is said in the Apocalypse of the seven hills," etc. The situation of the city, if that was designed to be represented by the dragon, would naturally suggest the idea of the seven-headed monster. Compare Barnes on "Re 18:1" and to end of chapter. The explanation which is here given of the meaning of the "seven heads" is, in fact, one that is given in the book of Revelation itself, and there can be no danger of error in this part of the interpretation. See Rev 17:9 : "The seven heads are seven mountains, on which the woman sitteth." Compare Rev 12:8 . (e) The ten horns . These were emblems of power, denoting that in reference to that power there were, in some respects, ten sources. The same thing is referred to here which is in Dan 7:7-8,20,24 . Dan 7:24 . The creature that John saw was indeed a monster , and we are not to expect entire congruity in the details. It is sufficient that the main idea is preserved, and that would be, if the reference was to Rome considered as the place where the energy of Satan, as opposed to God and the church, was centered. (f) The seven crowns . This would merely denote that kingly or royal authority was claimed. The general interpretation which refers this vision to Rome may receive confirmation from the fact that the dragon was at one time the Roman standard, as is represented by the following engraving from Montfaucon. Ammianus Marcellius (xvi. 10) thus describes this standard: "The dragon was covered with purple cloth, and fastened to the end of a pike gilt and adorned with precious stones. It opened its wide throat, and the wind blew through it; and it hissed as if in a rage, with its tail floating in several folds through the air." He elsewhere often gives it the epithet of purpureus --purple-red: purpureum signum draconis, etc. With this the description of Claudian well agrees also:-- "Hi volueres tollent aquilas; hi picta draconum Colla levant: multumque tumet per nubila serpens, Iratus stimulante noto, vivitque receptis Flatibus, et vario mentitur sibila fiatu." The dragon was first used as an ensign near the close of the second century of the Christian era, and it was not until the third century that its use had become common; and the reference here, according to this fact, would be to that period of the Roman power when this had become a common standard, and when the applicability of this image would be readily understood. It is simply Rome that is referred to--Rome, the great agent of accomplishing the purposes of Satan towards the church The eagle was the common Roman ensign in the time of the Republic and in the earlier periods of the empire, but in later periods the dragon became also a standard as common and as well known as the eagle . "In the third century it had become almost as notorious among Roman ensigns as the eagle itself; and is in the fourth century noted by Prudentius, Vegetius, Chrysostom, Ammianus, etc.; in the fifth, by Claudian and others."--.Elliott, ii. 14, (1) "wonder" "sign" (a) "dragon" Rev 12:9

Revelation of John 13:13

Verse 13. And he doeth great wonders. Signs--σημεια--the word commonly employed to denote miracles, Acts 2:19; and the representation here is, that the power referred to by the second beast would found its claim on pretended miracles, and would accomplish an effect on the world as if it actually did work miracles. The applicability of this to Papal Rome no one can doubt. 2Thes 2:9. Compare Rev 13:14.

That he maketh fire come down from heaven on the earth in the sight of men. That is, he pretends to do this; he accomplishes an effect as if he did it. It is not necessary to suppose that he actually did this, any more than it is to suppose that he actually performed the other pretended miracles referred to in other places. John describes him as he saw him in the vision; and he saw him laying claim to this power, and actually producing an effect as if by a miracle he actually made fire descend from heaven upon the earth. This is to be understood as included in what the apostle Paul (2Thes 2:9) calls "signs and lying wonders," as among the things by which the "man of sin and the son of perdition" would be characterized, and by which he would be sustained. 2Thes 2:9. Why this particular pretended miracle is specified here is not certain. It may be because this would be among the most striking and impressive of the pretended miracles wrought--as if lying beyond all human power--as Elijah made fire come down from heaven to consume the sacrifice, (1Kgs 18:37-38,) and as the apostles proposed to do on the Samaritans, (Lk 9:54,) as if fire were called down on them from heaven. The phrase "in the sight of men" implies that this would be done publicly, and is such language as would be used of pretended miracles designed for purposes of ostentation. Amidst the multitudes of pretended miracles of the Papacy, it would probably not be difficult to find instances in which the very thing here described was attempted, in which various devices of pyrotechnics were shown off as miracles. For an illustration of the wonders produced in the dark ages in reference to fire, having all the appearance of miracles, and regarded as miracles by the masses of men, the reader is referred to Dr. Brewster's Letters on Natural Magic, particularly Letter xii.

(a) "great wonders" Mt 24:24, 2Thes 2:9,10